The English philosopher Edmund Burke said the pleasure derived from pain was sublime. Find out for yourself at an SM performance this weekend.
By Jules Quartly
STAFF REPORTER, Taipei Times
Friday, Dec 01, 2006, Page 13
“Sir Distic” worked efficiently, quickly binding his pliant subject until she was caught up like a fly in a web, legs spread and arms tied behind her back. He fastened a rope around her neck and then drew her up on a pulley suspended from the ceiling, where she rotated with an ecstatic look on her face.
Last year’s first public bondage/domination and sadomasochism (BDSM) show Tie Me Up Tonight barely registered on Taipei’s dramatic radar as it played to just 50 people a night, but the video evidence suggests it was one of the sexiest and most groundbreaking performances of the year.
Organized by BDSM Company (皮繩愉虐邦) and the avant-garde Critical Point Theater Phenomenon (臨界點劇象錄劇團) at its former venue in Taipei’s Wanhua district, it introduced stars from the Japanese fetish scene, in addition to a young, local model called Maya (舞真夜) who tied herself up in knots. Literally.
Back by popular demand, Maya has added some new tricks to her repertoire and she will be joined tonight at Huashan Culture Park (華山文化園區) by two other practitioners of the dark and erotic arts.
Chiaki Kano has her own SM bar in Japan and is a famed nawashi, which involves being bound by ropes so tight the cords bite into the flesh. Mira Kuruni’s performance involves magic, theater, agony and sex. In previous shows he made young women swallow razor blades, poured candle wax onto their private parts and staple gunned them.
According to reviews of Kurumi’s DVD Hyper AbnormaliSM Exhibition he nailed labia to planks of wood, pierced breasts with barbecue skewers and carved his name in accomplices’ legs, while they were “on the brink of hysteria, but look[ing] at their master with doe-eyed expressions of devotion” (Bizarre Magazine).
Iinda (not her real name) is the producer of Tie Me Up Tonight. She is an eloquent spokesperson for BDSM, which is not surprising since it is the subject of her master’s thesis.
“BDSM is a different kind of sexuality. We use power to invoke a sexual feeling and provide sexual pleasure. It can be about dressing up or performance. The point of all this [the show] is law and rights. We are being mildly provoking because we are fighting for our rights as BDSMers,” Iinda said.
She has a point. As Grace Zhan (詹慧玲) of Critical Point Theater argued at a gathering of BDSM adherents last weekend, “In Japan, Europe and elsewhere these kind of activities are seen as natural. Here it is more complicated and because people don’t understand it they don’t like it.”
It is not a question of legal restraints. There is nothing to prevent consenting adults doing pretty much what they want in private; though Article 234 of the Criminal Code (刑法) states that a person who publicly commits an indecent act shall be punished with detention or a fine.
Epicure (not his real name) said Taiwan is “intolerant of difference” and that is why there has not been a BDSM scene here. In fact, the activity has been so marginalized up to this point that it is sometimes, almost unbelievably, confused with Buddhism (bdsm).
BDSM is in much the same position that homosexuality was 10 years ago, Epicure said. But with international exchanges, the Internet and translations of “sensation play” literature this is changing. Two years ago BDSM joined the ranks of other sexual minority groups in the annual Taiwan Pride Parade.
According to research from the Kinsey Institute, in 1990, around 5 percent to 10 percent of Americans are into some form or another of BDSM. There are no similar studies for Taiwan but common sense suggests the figures would be much the same. As society becomes more accepting of differences people open up about their preferences and indulge them.
After all, homosexuality used to be a crime or regarded as a mental illness in many countries, but this is the case now only under the most repressive or backward regimes. In fact you could argue that a society’s tolerance to its minorities is a marker of its maturity and “progress.”
Currently in Taiwan there are a few Internet SM-themed chat rooms, bulletin boards and the occasional low-pressure event, which is called a “munch.” BDSM Company is leading the way, hence the Tie Me Up Tonight event tonight, which Iinda said allowed “normal” or “vanilla” people a window on BDSM without feeling weird. “In the theater, the mood is different,” she said.
For Iinda these performances are a socially acceptable way of inserting BDSM into the mainstream. Asked to explain why, as a human-rights campaigner, she would encourage people to deny or waive rights in a sexual-power situation, her answer was illuminating.
“This is my SMer paradox. As a teenage woman I was a feminist, so it may seem strange for me now to push for something that may involve female submissiveness. Even so, I would say I have a right to pain,” Iinda said, adding the analogy of a feminist wearing pretty clothes was similar. Wanting to look good doesn’t mean there should be inequality.
At the BDSM gathering last weekend, held at a quaint teashop near National Taiwan University (國立台灣大學), there were intense discussions about the pornographic aspects of performances and why it was that guys were generally administering pain to a pretty, young woman and not vice versa. It was obvious BDSM attracted people for different reasons.
Epicure said he got into BDSM as a student in England where, incidentally, he met his Japanese wife and SM partner Akaneko. He equated love of pain with the enjoyment of spicy food. “Some like it hot.”
He said he spent six months under a BDSM master in Japan learning the arts of bondage and the special knots that are used. He emphasized that safety was paramount.
As for Akaneko, she explained that from the age of five or six she dreamed of being bound, whipped and imprisoned. She speculated that it might have been due to the influence of manga comics or television.
“It is not so important to me now. I can live without it,” she admitted after Epicure left the discussion. “”He likes it a lot so I want to please him. I only like spicy food occasionally.”
What: Artistic bondage, sadomasochistic and fetish performances
Where: Huashan Culture Park (華山文化園區) at 1 Bade Rd Sec 1, Taipei (台北市八德路一段1號)
When: Tonight from 8pm to 10pm, tomorrow and Sunday with performances from 3pm to 5pm and 8pm to 10pm.
Tickets: NT$600 available through NTCH ticketing or at the door
遲到十分鐘的記者，站在夜間的北藝大戲劇教室門口，等待時間點進入。門內傳出女子挨打與「啊！啊！啊！…」的性感叫聲，撩撥得記者對於自己的遲到萬分懊惱。好不容易進到場中，揭開的是《亞洲變態花蝴蝶》裡一名女子的變態蛻身過程；從愛好被打屁股的小踢，轉著轉著經過愛戀上男同志、周旋於異性戀男子身旁、SM性愛中的受虐者、三Ｐ經歷，最終在性/別角色中尋找到自我歸屬，可自由與他者互動，亦可自我懸吊滿足慾望。一場真實的性／別旅程，濃縮為一個小時的戲劇，投射在每個入櫃出櫃的瞬間，匯聚於一檔自縛吊的華麗展演。
皮繩愉虐邦今年首度舉辦「台北愉虐節」，也首度公開舉辦SM體驗、讀書會等活動。圖為皮繩愉虐邦的繩縛演出。（皮繩愉虐邦提供）
第一屆台北愉虐節相關活動資訊
皮繩愉虐邦今年首度舉辦「台北愉虐節」，也首度公開舉辦SM體驗、讀書會等活動。圖為皮繩愉虐邦受邀到大學開講座。（皮繩愉虐邦提供）
