分類: 皮繩愉虐邦

Fri, Aug 26, 2011 – Page 14
Theater: Get the kinks out
By Ho Yi / Staff Reporter

Next Magazine questioned whether BDSM Company’s performance at the Comedy Club in June was “a crime against public decency.

When BDSM Company (皮繩愉虐邦) staged its first public bondage/domination and sadomasochism (BDSM) show in June, two Next Magazine (壹週刊) journalists wrote a report on it using sensational language and unauthorized photographs, questioning whether the performance was “a crime against public decency” (妨害風化).

As part of the Taipei Fringe Festival (台北藝穗節), the same troupe will debut a new theatrical performance titled You Can Be the Kinky Star! (你就是SM片最佳男女主角!) about a group of BDSM enthusiasts auditioning for a BDSM movie. After the NT$500 show, audience members can pay an additional NT$500 to gain hands-on experience with the troupe. Experts will assist participants in arranging and engaging in BDSM performances, and a professional photographer will be on-hand to record it all. The activity is limited to those who have seen the performance.

Members of the company stress that while their performances are theatrical, they are not only about entertainment.

“We share similarities with theater people in the sense that we are more aware of the limitations our society and culture impose on our bodies,” said Song Jia-lun (宋佳倫), one of the group’s founders. “Theater is a medium, making BDSM more accessible to the general public … Perhaps through performances, audiences will be more conscious of what limits and represses their bodies and try to break free. We would be happy if audiences stopped seeing [BDSM practitioners] as perverts and pick up an easy trick or two, like tying hands or blindfolding, and tried them at home.”
閱讀全文 [Taipei Times] Theater: Get the kinks out

文、圖／陳韋臻 破報復刊610期

　　2004年皮繩愉虐幫（BDSM）甫成立時，各方菁英盡出卡進台北同志大遊行，遊行結束在西門町紅樓後，大夥兒溜進咖啡廳吃飯交誼，手工皮鞭在數十人手中傳來傳去，新手輪番試鞭，「鞭子出去不只要夠響亮，高明的還要在空中挺成一直線」……隨後某次中央酷兒社課規劃BDSM教學，皮繩的小林綠以華麗的手法開始在我下體編織繩縛，變成一套構造複雜的繩編小褲褲，小林綠指著某處繩隙解釋：「這個空間是為了放跳蛋方便所以特別留的…」弄得我臉紅心跳的瞬間，也對於繩縛的「專業性」與「功能性」佩服不已。

　　這些都是皮繩最開始在台灣嘗試與大眾接觸的情形，將其以往被貼上「變態」、「虐待」等污名的私領域實踐掀開，並行推廣理解SM「信任」、「安全」的基本實踐；這在當時台灣性/別認識中尚屬荒蕪的BDSM，社會大眾的認識來自「同志箱屍案」等性虐待的等號牽連，皮繩進入校園講座、演出，對外舉辦夜色繩豔等活動，對內持續讀書會、Munch、聯誼、教學等。六年過去，就在小小的皮繩成員中，相當微觀地，我們似乎也看見了某個程度的傳承與影響，從日本學習繩縛的小林與妮可女王，到台灣大學生小D進入皮繩後，師承妮可的繩縛學習，也在這種傳承的過程中，看見台灣BDSM文化的養成與實踐是多麼搔刺惹火又強韌。

馬甲與皮衣下的實踐愉悅羞辱快感

這次與皮繩的美好人們見面訪問，是在攝影棚中結合聊天、繩縛操作、玩樂鞭打的特殊經歷。第一次見面還穿著可人女僕裝的妮可女王，在這次套上馬甲，用自創手法迅速將女模特兒吊起，之後興致不減地一腳踩在模特兒私處，皮鞭打上她的身，模特兒的叫聲逗得女王樂不可支。就在妮可的模特兒叫喊著痛的同時，小林則不住地掩面不忍，對著我咬舌根說，在他學習的過程中，模特兒的舒適與感受，是一切繩縛與縛吊成功與否的最根本判斷，「我們以前根本不可能出現讓模特兒感覺痛的情形…」而攝影棚的另一個角落，小D正與其搭檔的模特兒不停練習操作，隨後上場繩縛的過程中，小D與模特兒之間貼耳細語，心跳脈動似地只有兩人才能理會則又是另一番光景。
閱讀全文 [破報]主縛奴／奴俘主－專訪台灣BDSM三繩師